#i like giving them my own interpretations

[melancholic-pigeon]

No, you know what, actually?

This is not a fair interpretation of my words, and it's an excessively hostile response to something I did not actually say. I'm sorry for the misunderstanding, but this was not a justified reaction to a misunderstanding. I was not calling you a liar, and I'm genuinely, sincerely sorry it sounded like I was, but I've told you before I admire your spine and I'm taking this moment to exercise my own.

ThIs is not what I said, and I didn't deserve this reaction.

--

Digging this out of my saved drafts because I just saw them blazed and I got annoyed.

This is how the owner of NerdyKeppie behaves when he misreads things and gets proven wrong about stuff. I was still trying to give him the benefit of the doubt immediately after he blew up at me, because I assumed something was seriously wrong to make him lash out so wildly disproportionately to such a stupid little non-issue. Unfortunately, it's since become obvious he's just Like This.

To my recollection, he has also still not removed the picture of me he told me he never had any intention of using for advertisement and is still using pictures of my clothed breasts without my permission as free advertising for himself and his business.

They talk a big game about what an ~ethical~ company they are, but fail to follow through. I've since seen spider blow up at two separate people besides me for similar non-issues he took way too personally.

Also the products actually aren't very good. My tichel tore two days after I got it. I regret giving them the benefit of the doubt and strongly advise people do not spend their money enriching a toddler in a grown man's body.

[willowed-wisp]

NSFW ALPHABET [ simon ‘ghost’ riley]

Just my opinion based on how Simon comes across in the games. It was quite fun to interpret it. Hope I didn’t do too bad of a job 🤞

A = Aftercare (what they’re like after sex)

Ghost would be more closed off to a one night stand, so it’s lucky if you even get his name let alone for him to stay after the sex.

As for in a relationship, he cares so deeply that if he’s jackhammered you he’ll find himself gently massaging your sore pussy- you did take him ‘so well’ after all (his words)

B = Body part (their favorite body part of theirs and also their partner’s)

He used to hate his arms, all the scars he had endured but he paid good, well earned money on his sleeve tattoos. And with encouragement from his partner- he likes them.

As for you, your face. He rarely gets to see all of his own, so seeing your face in any sense is a blessing. For intimacy it’s a luxury to see your brows screw up and lips parted. He knows you don’t have the same benefit of seeing his ALL the time.

C = Cum (anything to do with cum, basically)

He likes the idea of claiming you by coming inside but the idea of children in a world like this… it scares him. Even if you’re on birth control… too much of a risk.

Simon loves seeing you on your knees, lips pink and raw after finishing down your throat. And you better be swallowing- he doesn’t like tryna get stains out of the bedsheets.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Wants to fuck you in close quarters to the rest of 141, and use his balaclava as a gag to shut you up.

E = Experience (how experienced are they? do they know what they’re doing?)

Simon is said to be in his earlier to mid-30s and doesn’t have as much experience as the others but you’ve never complained about his skill before. He’s a quick learner.

F = Favorite position (this goes without saying)

ADVANCED MISSIONARY; As said before, he loves your face. So something front facing but spicier than missionary- legs on his shoulders… laid flat on the edge of the kitchen table with him stood ploughing into you.

AGAINST THE WALL: Simon loves knowing it’s all him giving you pleasure- you clung to him for dear life. Nails cutting into him and limp from the waist down, he’s not shy when it comes to pain… not that kind anyway.

DOGGY: The only exception to him not facing you is when you’ve been teasing him all day long. He loves the roughness and how much of you he can feel at that angle. Intoxicating.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Simon goes Ghost mode during sex. It’s a scale of kinda serious to don’t talk kind of serious. Depends on how long he’s gone without it. If he’s on leave and it’s on the couch during movie night and you clash teeth- he’s so serious about it but when you start laughing, his eyes go puppy dog and he joins you in hysterics.

He can be very goofy so he has that side when his guard is down.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

He likes to keep in tidy down there, not completely shaven but nothing to stop you from giving him sloppy head.

He has light eyelashes but the hair is so short you can barely see the true colour - a blondish brown colour.

I = Intimacy (how are they during the moment? the romantic aspect)

Like most things with Simon, he truly depends on what mood you catch him in. He’s a chill guy, he’s the type to get you gifts without making a big deal about it.

He just wants your sole undivided attention, that’s romance in his eyes. Having a connection with you, spending time with you. So he’s kissing up your body, and eating you out like there’s no tomorrow without expecting you to return the favour.

Simon is all about eye contact, kissing and making you feel special in the moment. So I guess you could call him a pinch romantic.

J = Jack off (masturbation headcanon)

Being away from you is a death sentence, but the mission is work. That doesn’t mean LT doesn’t jack off, to images of you riding him or panting beneath him, when he’s in the shower.

Off duty he has you, he doesn’t need to jack off.

K = Kink (one or more of their kinks)

BONDAGE: Hands behind your back, tied with his belt. Or he doesn’t mind, he knows how to break out of ties anyway.

VOYEURISM: Loves watching you masturbate, revels in it because he knows he’ll have you coming on his cock in the next few minutes.

DOMINANCE: Not in an unhealthy way, he’s a BIG guy (and he uses it to his advantage). Caging you in and hitching you up at his waist, repeating the words, “Who do you belong to?” “Who makes you feel so good?”

And the answer every single time is ‘you, Si.’

L = Location (favorite places to do the do)

Nowhere public, there’s a reason he wears a mask in public let alone being caught with his dick out.

His favourite may be a wall, especially if Soap is staying in the guest room… because the master bedroom is beside it. Ghost is territorial like that, you’re his.

The bed is too comfortable for him when he’s initially back. Simon will hold your hips and watch you bounce on his dick while his back is on the fluffy carpet. Carpet burns were worth it.

M = Motivation (what turns them on, gets them going)

Kissing his tattoos- man this guy gets pent up when you do that. All the way up his arm, through to his chest. Do this and you will find his trousers tented and tight.

Ghost is very susceptible to touch, he spends so much time trying not to get hit by stray bullets or by fists that when he lets his guard down- he really gets turned on by crotch palming or kissing. Makeout sessions quickly become a night long sex fest.

N = No (something they wouldn’t do, turn offs)

Hates being blindfolded, absolutely despises it. Even when relaxed it’s difficult for Ghost to just be Simon. He likes being able to see you, his PTSD comes in play there.

Also, another no no, is you wearing a skull mask or himself wearing it in the bedroom. When he’s at home, he doesn’t even want to remember what happened in the field. Let alone bring it into the most vulnerable position he’s gonna be in. He may even draw the line at face coverings in general.

O = Oral (preference in giving or receiving, skill, etc.)

As said before, he couldn’t care less if he receives. Only that he makes you cum at least once.

Don’t mistake that for him not liking blowjobs, he loves it- again, a touch thing but he would rather watching you come undone.

P = Pace (are they fast and rough? slow and sensual? etc.)

Like a lot of things with Simon, it depends on his mood and it you can handle it at the time.

Simon is a kinda soft dom because he cares about his significant other and doesn’t want to hurt you but if you can take it… you’d better find something to hold onto. Legs and abdominal muscles galore- he is a tyrant if you wish it.

But he doesn’t need to do that ALL the time, he can do soft and gentle just as well. Deep, powerful thrusts… letting you adjust after a couple of rounds.

Q = Quickie (their opinions on quickies, how often, etc.)

If you’ve been teasing him, he will pull you into a restroom and have you drooling and seeing stars.

He prefers to have his time with you, to get you well adjusted for his size by fingering and then eating you out. Dragging out orgasm after orgasm to get you to relax.

R = Risk (are they game to experiment? do they take risks? etc.)

He doesn’t normally like fucking in public, but as said before- if you touch him in the right places and tell him how hot you are for him… let’s say he will find a dressing room or bathroom stall (within reason) to stop his hardness.

S = Stamina (how many rounds can they go for? how long do they last?)

Have you seen this man? 6’5” and muscles for days… Simon has a LOT of stamina.

The first week he gets home you’re lucky when he’s not inside of you. He can go multiple times a day for an average of two hour sessions. He likes to take his time with you.

Quickies wise about 6 rounds in a row.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Simon’s not a fan of toys. Doesn’t own any and doesn’t plan on buying. He’s sure in his abilities and when you a moaning mess impaled on his cock- he’d say you’re quite satisfied.

U = Unfair (how much they like to tease)

Edges you from time to time and make you beg for some release. But that’s only when he’s in one of his sarcastic moods- mostly after he’s hung out with Soap.

V = Volume (how loud they are, what sounds they make, etc.)

Not obnoxiously loud, but not quiet. His voices get a bit higher or goes lower when he says your name. Holding your hair while you’re on your knees, choking on his cock. It’s kind of addictive.

W = Wild card (a random headcanon for the character)

Your smell. Purposefully buries his nose in the crux of your shoulder in general. Especially when so close to his release- you’ve been squeezing his size continuously for the past five minutes and the scent of you, not your perfume or shampoo, can toss him off that cliff.

X = X-ray (let’s see what’s going on under those clothes)

Above average at about 7.5 inches, but thick. No wonder he indulges in extensive foreplay before fucking you. He’s the perfect size, nothing too extreme but hits the correct spots.

Y = Yearning (how high is their sex drive?)

He’s touch starved on missions and doesn’t fancy asking the boys for that, so he’s pretty horny. You don’t help dressing all pretty in white lingerie the day he gets back.

On a scale of 0-10, Simon is an 8-10.

Z = Zzz (how quickly they fall asleep afterwards)

Simon finds it difficult to sleep in general, only after a day’s fuck fest is he worn out enough to sleep soundly. Next to his partner.

[mirrorcatcreditcard]

Take I haven't seen in the fandom yet:

Luka doesn't want to be freed.

"Now, MirrorCatCreditcard," you may say, "that's nonsense. Any human would want freedom from that system."

If you're thinking I'm gonna convince you that Luka doesn't know he wants freedom yet, you're wrong. I'm here to talk about indoctrination/conditioning, grooming/emotional manipulation, my own experience with those topics, and how all of the above connects with Luka as a character. If a deep dive like this is too much for you, please tap out for your own sake.

Luka's life was planned before he even existed. There has never ever been an alternative option. There is no life for Luka as anything but what Herperu chose. Everything in his life has been planned to have him be the perfect pet human idol. That is what he must be.

Fandom, I don't think most of you actually understand this and have dissected what this means (shout-out to the Luka stans who are getting there/have guessed similar things). These words we know have alternatives and are not set in stone are Luka's "gravity makes rain fall to the earth" and "water makes things wet." They are facts so deeply ingrained within him that even if shown the contrary he remarks that the person showing them is just disillusioned.

Take his commentary on Mizi and Hyun-A in the art book. He looks down on Mizi for not being able to control any of her emotions. How does he talk about Hyun-A? He has her at 70% affection yet shows a patronizing attitude—she's the one in denial at reality.

Now, how did we get here? How is a human so "delusional" and set in the control?

He's been conditioned.

Some of you don't know what I mean by this from experience and/or research, and count yourself fortunate that you don't. I pray you never experience such things firsthand. Don't worry about ignorance. Familiar or not, I will explain.

When you are surrounded by only one truth and reality, that is the way you interpret life. If a parent tells a child "the moon goes to sleep during the day," until the child learns otherwise, that's what they believe. Now take that child-like belief and add some toxic environments to the mix. With time, any other kid would learn that the earth rotates from their peers or adults around them. But if the creatures around them all say and believe the same thing "the moon goes to sleep during the day," then that is what the child continues to believe. Years of that same thing being the only truth make that false knowledge into a fact in the person's head, and everything that supports that fact is taken as truth or on the right path to truth.

"This is kinda silly though," you guys are no doubt murmuring, "All of this is a hypothetical. Give us something that makes sense or that someone could actually see happen in our society."

I'll give you my own experience then. My parents taught me that God is real. My parents taught me that I will be damned I do not follow the commandments of the scriptures. I didn't need to worry though. As long as I was obedient to the God who loved me and wanted what was best, I would be saved despite being born an awful sinful human. I was homeschooled, only interacted with people of similar beliefs, and taught that people too different from me in ideology or with radical beliefs against my own were trying to harm me and my family. I believed the people who raised me because why would people who love me lie to me? My task was simple. I needed to obey God and love everyone, especially them. Love meant giving up my entire being and living only as servant and sacrifice. After all, being selfless to the utmost was the greatest form of love.

Let's go back to Luka. His guardian, Herperu, when questioned about any surprises while training Luka, stated not only that he was the one who endured the "tough moments" but also that "(Luka) owes his success to me, and naturally, he should be grateful." This sentiment is echoed by Luka in his interview (shown on Patreon). My god, it's giving parents with disabled kids who brag on social media about how much trouble their kid is and how much they do for them. Sickening. This shows exactly what environment Luka has lived in though.

When you are manipulated into having something as your reality, everything else is fiction and delusion.

Let's review what exactly is Luka's reality.

Heperu is the one suffering if Luka has any difficulties being obedient.

Gratitude is what Herperu is owed because he goes through so much trouble to make Luka a star.

Love/care is shown by owning another's autonomy.

Emotions and bodily reactions exist, sure, but someone should be able to control them; and if they can't, someone should control those reactions for them.

Segyein are superior and the good ones for dealing with humans. Humans must be disciplined and shaped to how an segyein wants it to act to be considered deserving of this goodness.

(Luka)'s perfection is defined by his guardian.

Luka's life is directly connected to being the perfect performer. His guardian praises his abilities with the statement that no other pet human will ever be as perfect as him yet leaves an underlying threat saying that it will be no good if a pet is not trained properly. This has probably been mentally (if not physically) beaten into Luka's mind: his greatness doesn't stop him from being able to be disposed of. The human instinct to want to live has been explained to him as Heperu's wish for him to live and that has been further distorted as a duty to live for the stage he has been placed on.

Luka believes fully that there is a debt in play here. In his interview, he mentions repaying love. He thinks the relationship between fan and idol is completely normal, encouraged, and healthy. Performance is the most important thing. Being where he is is a privilege.

There's a chain here:

Heperu indoctrinated Luka into believing what he says is all true.

The guardian manipulated him easily to do what he wanted with his body and mind.

The years have been spent constantly conditioning Luka to be the god who encapsulated fantasies for the audience.

He is continually being groomed to exist for the entertainment and enjoyment of segyein.

Circle back to my first point of this post. Luka does not want to be freed. He doesn't know what freedom actually is. He sees freedom as either foolish denials of reality (and doesn't consider that actual freedom) or as controlling the song and stage when he performs (something he learned from Hyuna). He cannot want something he cannot understand. He cannot want freedom in the sense the fandom keeps speaking about.

It's funny. From the moment Luka was revealed to be hated by the fandom, I wanted to know why. Instead of digging and finding horrific deeds, I instead found a character who portrayed my own traumas and experiences. I instantly attached and delved deeply into learning about this thirty year old singer. Why does he express himself in a certain way? Where do we first see mention of him? Who does he have emotions towards? How was he trained? What makes Luka himself? I have past essays/replies to other's theories if you're interested, but in this one I got personal and didn't sugarcoat the facts. If the fandom can't handle deep thought, we shouldn't be discussing this incredibly profound and depth-filled web series.

As always, thank you for your time, and I hope my thoughts allowed you to open your mind to new things. Mostly, I hope you enjoyed them 🫶

[satsuha]

i'm always really interested in how the characters call each other in japanese games, so i laid out a few differences between the japanese and english versions of some ace attorney games that particularly interest me. this isn't meant to be an exhaustive list but it did get really long 😭

i highlighted english nicknames/etc in blue while japanese nicknames/etc are orange just to make reading a little easier

AA1-2

while only playing the english version i liked that maya called phoenix nick, it's a nickname that makes sense and phoenix is annoying to say and write anyway (lol) but the reason maya gives for this nickname in english is that it's what larry uses for him, which pales in comparison to maya in the japanese version opting for how mia used to call him: naruhodo-kun.

to me, this is a LOT more meaningful and informative than the english nickname because it not only is evidence of how much maya heard about phoenix from mia using that nickname, it also gives us a glimpse of maya's personality and her relationship with phoenix. -kun is an honorific that's usually used for either male classmates or for teachers/superiors to use with their students/subordinates. maya falls into neither of these categories with phoenix, but it also lines up with how she acts like the boss of the office a lot of the time. SO LIKE... ultimately the nickname nick just does not hold up in terms of both maya's reasoning for using it, and phoenix's apprehension at her calling him that... which i just think is a shame!! in the same vein, this nickname is passed down to pearl, and again you see phoenix having a Reaction to it which makes sense considering it's funny that a kid is calling him naruhodo-kun...

i don't only want to talk about changes in english that i don't prefer, so i also want to mention that i'm very impressed that they managed to get phoenix and edgeworth referring to each other by their surnames in english to sound natural... because it's also exactly what they do in japanese except there, the idea of male friends using their surnames with each other is a very very normal thing. i AM torn on the fact that in japanese larry also refers to the two of them by their surnames, which means all 3 of them are on equal grounds in that respect. AT THE SAME TIME... english makes larry's "nick" and "edgey" work so well that i really can't say we missed out with this localization, but i do like the relationship between these 3 so i do like that the japanese is indicative of it too :)

AA4

i'm skipping ahead to aa4 because trucy's also a very interesting localization to me... the first time i played aa4 i felt like trucy wasn't sufficiently differentiated enough from maya's character which is like. debatable but those were my initial thoughts anyway. in japanese though she uses third-person pronouns (calling herself by her own name, minuki) which is VERY distinct from maya. there are a number of ways to interpret this choice but i like the one that indicates that it's part of her stage persona. aside from that though, she also has a very normal nickname for apollo (odoroki-san, with -san indicating general politeness) while polly is um well canonically the name of a parrot LOL

i do find it pretty interesting that the above exchange is the first instance trucy uses the polly nickname, because it's entirely different in the japanese version. phoenix says "if this onii-chan over here can't help you..." to which trucy responds by saying "how could you, onii-chan!" this exchange is hilarious to me because phoenix referring to apollo as an onii-chan is pretty normal? it's common to refer to any young man as that and in this case he's also referring to apollo from trucy's perspective. but trucy DIRECTLY calling apollo onii-chan (brother) is just so funny because HERE it's a lot closer to how an actual younger sister would refer to her older brother; there's a difference between saying "this onii-chan" and just "onii-chan". now i'm not saying this was direct foreshadowing because onii-chan is also used between close friends/acquaintances but like... the possibility is there.

AA5

now onto simon because i don't actually have a problem with the localization making him a british weeaboo i think that's really funny but i DO wish the nicknames he uses for the defense attorneys were more... appropriate? the honorific -dono that he uses in english does complement his samurai look but it's usually used in contexts where there's some respect involved, which is... not simon's intention in japanese. i'm admittedly not too familiar with the nicknames he uses in japanese; he uses "[kanji] no ji", while using a kanji from phoenix/apollo/athena's surnames. by searching it in japanese, i'm finding answers that it was medieval slang used by men usually in red light districts and such, and was used to refer to those with equal or lower status to oneself but never to those of higher status. this is kinda the opposite of what -dono is which is used for those of equal or higher status!!

i also find it pretty amusing that despite him using the first kanji in phoenix's name; 成 (turn into, grow), he uses the second kanji in both apollo and athena's names; 泥 (mud) and 月 (moon) respectively. i can only imagine that he did this because the first kanji in their names; 王 (king) and 希 (rare, hope) respectively, were too positive/complimentary for him? LOL

AA6

now i want to to talk about apollo in aa6 because NNGNRHGH i'm not normal about this one. because like, similarly to what i said up there about phoenix, edgeworth and larry's relationship, it's completely normal for close male friends to use their surnames with each other. phoenix, being apollo's boss, refers to him as odoroki-kun (mirroring how mia and maya call phoenix). trucy uses odoroki-san, indicating general politeness and athena uses odoroki-senpai, because he's her senior in their workplace. clay uses odoroki (no honorific), which is the same "level" as phoenix/edgeworth/larry's relationship.

a male character never being referred to as their first name is pretty normal, which is also the case in the aa games. franziska calls edgeworth by his first name reiji which is SUPPOSED to stand out because it's notably impolite/informal for someone who is younger than him, which suits the idea of her thinking of herself as the elder sibling. for additional reference, phoenix is only referred to by his first name by dahlia/iris; ryuu-chan ("feenie" equivalent) and desiree; ryuuichi-kun ("nicky boy" equivalent). so apollo is referred to exclusively by his surname, because there isn't anyone who's associated with him who would feasibly use his first name.

THAT IS. UNTIL we meet datz who is the first (!!) character to use apollo's first name in japanese. this moment doesn't stand out in english because i KNOOWWW datz uses the AJ nickname which is very cute but he doesn't actually use that nickname the first time he indicates that he knows apollo in case 6-3!! phoenix's momentary confusion here is also explained because while he obviously knows apollo's full name, he's never heard anyone refer to him with it!!!

so phoenix's thoughts in japanese here were originally "housuke... wait, that bracelet! that's odoroki-kun!"

dhurke and later nahyuta (during the last moments of the 6-5 trial) also refer to apollo with his first name, which is... really nice!!! they're family!!!! i mourn the fact that this distinction isn't visible in english because most characters just call him apollo but it's special in japanese... it's only dhurke, nahyuta and datz who use his first name.... i'm normal i promise

funnily enough i sort of have the opposite issue with nahyuta, who is generally referred to as prosecutor sahdmadhi in english but nayuta-kenji (prosecutor) in japanese. i'm assuming this is because his name is written with his given name first unlike japanese names, so they just used his given name instead of his surname...? unfortunately we don't have an example of any other foreign prosecutor as reference (i'm excluding van zieks here because they DO use his surname but it's also an entirely different time and place) but i prefer the english here since it also makes it stand out when apollo, dhurke and datz (with yuty hehe) use his first name with him.

but then again... rayfa also refers to him as prosecutor sahdmadhi in english, but just calls him nayuta in japanese. there aren't a lot of characters rayfa refers to by name but generally she's either overly polite (with ga'ran and inga) or overly impolite (with phoenix and apollo). it makes sense that the way she calls nahyuta is a little unique, since he's of lower status than her but not enough to get a rude nickname fdjhja... and then of course at the end of the game she tries to call him onii-(chan? san? sama? we just don't know) which nahyuta interprets as oni (demon) i think the localization here is really impressive actually. they somehow managed to seamlessly fit braid head into the mix of barbed head and horn head (both nicknames that refer to their hairstyles) while braid also begins with the same letters as brother... anyway i think i slightly prefer that rayfa (and ga'ran) call nahyuta by his first name rather than by his prosecutor title, it's indicative of their higher status because of the lack of an honorific but by the end of the game it fits in with the idea of them all being family...

TGAA1-2

you would think that because tgaa opted to leave japanese honorifics in the dialogue that there wouldn't be any differences in how the characters refer to each other but there are... first of all kazuma and ryunosuke are once again male friends who refer to each other by their surnames without an honorific in japanese, but the english has them use their first names with each other instead. i can understand this change because characters using only their surnames with each other feels oddly distant in english, and while it worked for phoenix and edgeworth's relationship it definitely doesn't suit kazuma and ryunosuke's.

additionally, the way susato calls ryunosuke was also changed from naruhodo-sama to naruhodo-san. this is... also an interesting change since it requires the player to have some basic knowledge of japanese honorifics but for some reason decided to change it anyway, despite the fact that susato also uses -sama with kazuma... one thing to note is that susato does use kazuma's first name instead of his surname like she does with ryunosuke, which helps indicate their closer relationship despite her still showing respect with the -sama honorific. in that sense naruhodo-san feels like an interesting middle ground because she's still using his surname but doesn't seem to view his position with her as equal to kazuma's? i assume that was the intent of the localization, similarly to how the way kazuma and ryunosuke call each other was changed to indicate closeness to the english-speaking player

--

anyway while i do prefer the original japanese version most of the time, my general view of original vs localization is like wow! two cakes! i might prefer one of those cakes more, but the english version usually provides enough that i like that both canons exist. because of this i can't agree with the idea that all localization is bad nor the side that believes the original doesn't matter because you're engaging only with the english side of the fandom. both are good and can reveal interesting things about the characters, story and setting!!

and thank you for reading if you got this far 🙇 i'm not an expert at japanese so i try to do my research and use multiple sources to get a better view of things, so please let me know if i got anything wrong! i also recommend checking out this post if you haven't seen it already since it's where i got some pointers on the trucy and simon segments

[mothiir]

the war hawk

because i need to write some more jagahatai. no cw for this one!

”Stand,” says the Great Khan from his throne, lounging like a true conqueror, safe in the knowledge of his victory. His gur is gigantic, larger than the cathedrals of your city home, and permits a great gathering of people — some his strange white-armoured sons, but mostly humans. They array in a circle around you, with no clear demarcation of rank, and none of the finery that the noble families of your home would display in such a gathering. You get the sense that they are all of one kin, a bond forged in the crucible of war. Perhaps if your own family had set aside its internecine struggles —

No. You cannot think like that. They didn’t. They lost. That is all there is.

You stand with the help of one of your attendants, schooling your face into careful, decorous blankness. You will not dishonour your family by weeping. Women of your family have married for politics for generations — yes, it has been centuries since any of your foremothers were offered up to a warlord in exchange for peace, but it is not your place to bemoan your fate. No: you must be thankful. You must wring gratitude from this misery, because no man found under the stars — or among them — will be charmed by a dour, shivering wretch.

“Yes, my Lord Khan,” you say. “Forgive me — I do not speak your tongue —“

“That is no matter,” he says. “I speak the language of this system well enough.”

Your maid gives you a swift, curious look, which you deliberately ignore — though you share her thoughts. The stories you both heard spoke of barbarian sheep-herders that tore books apart in anger because they could not read them.

“You honour our meagre home with your presence, my Lord,” you say, swooping into another curtsy. The clothing you wear is gorgeous, but highly impractical: a chain mail dress, ornamented with gemstones; a headdress anchored in place with hairpins that bite at your scalp. You wear the tribute, and you are the tribute. Gold, sapphires, precious metals, precious fuels — and livestock. The finest horses, cattle, sheep and poultry that your homeland has.

And you, of course. You who feel that you have more in common with the broodmares and fattened lambs in your entourage than with the crown on your head.

The Great Khan acknowledges your flattery only with the slight incline of his head. His throne is draped in so many furs you cannot see the original shape of it. It looks comfortable. To his left sits three of his sons, clad in their armour, but helmetless. To his right is an elderly man, a hood pulled over his head, so his face is shadowed. An advisor, maybe?

“Your father did not say this when he first met our envoys. We interpreted his broadcast. Sheepfuckers and misfits, he called us,” he says, idly, and your stomach drops into your feet. Instinctively, you pull your handmaids closer to you, grasping their chilly hands with yours.

“My father —“

“And in this letter he sent you with,” the Khan says, unfolding the parchment. It seems tiny in his gigantic hands. “He says that he is but — ‘a worm in the garden of my resplendence’ — he has quite the way with words, does he not? And such a change of heart! A modest man, to say he is but a worm in the garden of a sheepfucker.”

A few of his sons chortle; someone jeers. Your cheeks flame, and you lick your lips before replying.

“My father’s words were misspoken and arrogant.”

“Indeed. And he has learned the error of his ways. As long as he pays his tithes, he and his people will be treated as valued members of the Imperium — and under the protection of the Emperor of Mankind.”

The Great Khan turns back to the parchment, and makes a show of reading further.

“He has some words for you too.”

You swallow thickly. Your mother had been all careful posed dignity when she sent you away; your father had embraced you and wept. His first child; his first girl. His eldest. Sacrificing so much for the sake of her people —

“‘—though she is no great beauty, and is altogether too clever, she is swift to learn, and her mother bore eight children, four of whom were boys, so it is likely that she will likewise be fertile,’” the Khan reads, and something inside you freezes. There are no chuckles now — even if there had been, you would not have heard them over the strange high ringing in your ears. Your fingernails dig into the back of your handmaid’s hand, leaving bloody red crescents; she does not seem to notice; or if she does notice, she does not care. “And if she is not to your liking then rest assured she has sisters, who are fairer and younger and —“

“Don’t you dare!” you shout, without thinking, without considering and — oh by the gods what have you done? And then you remember that these strange men from the stars burn churches and despise worship, and so calling on the gods just makes things worse — and you freeze, heart rabbiting, eyes wide. “I mean, my lord, please — the next-oldest of my sisters is sixteen summers —“

You were born to be a politician — bred to be one — and yet all of your training has been for nothing, for in that moment you are not a diplomat but a sister, white-hot fury pulsing behind your eyes. If you had talons, you’d rip your fathers face from his skull; if you had wings, you’d pull your sisters and handmaids under their span, tuck them safe and secure and hidden. But you have neither: only a clumsy tongue, and rage that stoppers your throat, and grief great enough to drown in. And all the while the Khan watches you, impassive as a hawk; a great predator, with no concern for the mewling of women —

“Jaghatai,” says the cloaked figure to his right, pulling her hood back. “You’re scaring the girl.”

What you had assumed to be a withered old man is in fact a withered old woman, with nut-brown skin, heavy black hair, and bright eyes glittering in folds of corrugated flesh.

“I am — ah,” says the Great Khan, and then his face relaxes minutely. He smiles — though the gesture does nothing to calm you, directed as it is at the woman. “Apologies.”

“Don’t apologise to me, Khan — apologise to your poor bride! Soldiers! Really!”

She stretches like a cat, her joints clicking, and stands. Three of the astartes hasten to help her down the dais, but she waves them away.

“I can manage just fine on my own, boys,” she says, and hobbles her way down to you. She’s barely up to your shoulder, hunched over with age; her clothes are of fine quality, but thoroughly worn. “Honestly.”

“My lady Hoelun — “ one of the men says, but she points her stick at him.

“Tsubodai, I knew you when you were stumbling around after your father’s goats — when I need your help, I shall ask for it. All of you! Useless!”

Instinctively, you curtesy to her. She chuckles, and catches your chin with one gnarled hand.

“Let’s have a look. All your own teeth, no mutations,” she says, tipping your face this way and that. “Clever, that letter said, and I’ll believe that — every woman we’ve met in this system can read and write, which is a blessing, believe me. Half of my grandsons are still learning. They like their bikes and their ponies, what do they need letters for?”

She pinches your cheek.

“Smart, because you knew how to greet the Great Khan. And reckless brave, because you shouted at him. And —“ She looks down at your hands, which still clutch at your whimpering maids. Her gummy smile widens. “And decent too.”

She turns back to the Great Khan.

“You’ll marry this one, Jaghatai. I’ll make the arrangements for the ceremony in two moons time. Until then, we’ll follow tradition.”

The Great Khan does not seem at all surprised at the display. His smile has deepened, and for the first time he looks more like a man than a hunting bird.

“Very well, Mother,” he says. “If you approve — my lady, you will be granted your own household, and a gur large enough to hold them. You may bring women to attend you from your home planet if you wish — or if you prefer, I can name some from within my own family. A hundred head of horse are yours as of today; for each week until our wedding another hundred shall be added to your herd. You will learn our language and our customs, and you will sit in on my council with my mother —“

“My lord — I am no warrior,” you say, and he holds up a hand to silence you.

“No. But I am no politician. An empire can be conquered from the saddle of a horse, but not ruled from one. You will attend council with my mother and learn from her, so that when we are wed you may pick up the governance of this sector in my absence.”

“But — my father is the governor,” you say, brow furrowed, still feeling like you are stumbling to catch up. Hoelun chuckles.

“For now. But who trusts a man who puffs up his chest only to crawl in the dirt with nary an arrow fired?”

The implication of her words should horrify you. You think of your sisters, and you feel only a hesitant, fragile kindling of hope. Hoelun gives your cheek another affectionate — if slightly painful — squeeze.

“Welcome home,” she says.

[phantomrose96]

Aromantically rotating this quote from Jon "The Silt Verses" Ware from the Season 2 Q&A (bold emphasis mine)

Question: I love what Paige and Hayward have going on. How would you describe their dynamic? ​ JON: I saw someone online talk about the, “the paladin and the prophet.” Which I think is a really nice way of looking at it! Whereas I saw them as two people who…both of them have come to the end of the road in their old lives. [...] I think maybe there’s also an implicit question there about whether there’s something romantic going on – maybe I’m reading into it, but that is something that’s on my mind a lot, so I’d love to talk about it more. ​ Because shipping is fantastic and it’s wonderful and it’s cool, but as a writer who’s way too online in a parasocial world, I’m really wary of how I respond to it and how I process it. ​ I personally, I don’t like writing fictional characters where the most important moment in their narrative arcs is when they get together with the person they were always meant to get together with. Generally, it’s just a bugbear of mine in fiction and I’m not sure I agree with the underlying message. ​ But I think if any writer who’s way too online sees, hey, people are getting excited about these two characters hooking up and falling in love and they keep coming back to this idea of them hooking up and falling in love, there’s a real rodent voice in the back of your head whispers, "give the people what they want. Get those likes, get that fanart." ​ Which is the wrong response! Because we don’t understand that maybe people are just having fun exploring these characters or their own interpretations of these characters, we think they must be anticipating a pay-off from us. ​ And again, I think it can send you in the wrong direction, one that ends up being essentially flattening – we don’t think, "if these characters hook up, OK, what new opportunities does that give us to explore them, to understand them in greater depth?" Instead we think we need to perform a climactic moment of love and comfort and happiness to get the audience’s approval. Which can be very much to the detriment of the complexity of the characters, but also, afterwards, where do you go with it? ​ And after we released maybe one episode of The Silt Verses, I saw a couple of folks online going ‘oh, god, I hope this isn’t going to end with Carpenter and Faulkner hooking up,’. And you go, "oh my god, I hadn’t considered that as a possibility for a second, that’s not who they are and that’s not what the relationship is here" - but of course all of us are primed for it, that enemies-to-lovers thread that is so common. ​ [...] ​ So it felt like I could introduce a connection there [with Paige and Hayward] and we could see a different way that they begin to be around each other that hopefully feels like it’s adding new dimensions to both of the characters without me looking over my shoulder going, “Am I in danger of turning this into something a bit stock by turning it into quite a straightforward romantic situation?”

[wetterfishguts]

my designs for the mains

more below

honestly astro's default skin looks bald so i made his hat longer (like star time. i like his star time skin he's the reason i bought it) and gave him more markings i guess... also fluffy blanket

i wanted shelly to feel more like an explorer cause yknow fossils n stuff. i was kind of inspired by grant from jurassic park but yeah also she has a tail and sharp teeth because i think it's cool

sprout should have had a snout propaganda idk where i saw this first but it STUCK with me and it looks awesome. he's mostly the same other than having a tail and spikier hair. also he's mad which is literally me whenever i play as him

honestly i didn't know what to do with vee other than give her a proper outfit because she is a gamehost. WHERE is her glamour!!! also she has heels i guess

lastly is pebble and i think he's perfect the way he is. the bow is optional but i thought it was nice. made him look more uneven and rocky

anyway i hope you liked them and if you didn't then idk design your own, i like seeing everyone's interpretations ok BYE

[hydine]

Ok, so this post is more for me personally to get my thoughts in order, bc my Crow!Rook just committed to an exclusive relationship with Lucanis, which means I was in his fade... mind... prison... thingy... Whatever it was

The people we see are projections (it's a thing in psychology) of how Lucanis thinks those people see/think of/talk about him. Caterina and Illario are obviously being there, as they're family. Why Harding and Neve? Well, they're potentially the first ones he met on the team, who meet him with distrust. Bellara is not in his mind prison, because I don't think she was too antagonistic towards him, alas I don't remember what their early banter was like, but I don't think she left a lasting negative impact by distrusting him openly. During the fireplace scene she seemed defensive/deflective, at least. With Harding, well, there was that banter where she subtly threatened him with an arrow, and Neve, she openly voiced her distrust in the fireplace scene. My best guess, they're family now, and he thinks he failed Harding and Neve, failed their trust. Just like he thinks he failed Caterina, because he's an abomination. He's housing a demon in his body and he might lose control and when he loses control, people might get hurt because of what his demon-possessed body does, and therefore he must be dangerous, so people think negatively about him - is what he thinks, that's what we see in his mind.

The thing is, Spite - to me - doesn't appear too aggressive as long as nobody antagonizes him. That's why Spite likes Rook, and lashes out at Lucanis in the fireplace scene. But Lucanis doesn't really understand this. He thinks Spite is a demon, so he must be inherently evil and dangerous. So they're in discord. As Spite is in Lucanis' mind, he is in this prison, and he just wants out. Not necessarily out of Lucanis' body, but out of this prison, that Lucanis has built around Spite, to control him, control the demon in him, as well as himself. And of course it looks like the Ossuary, because that's where he "met" Spite. Lucanis was locked up in the Ossuary, as much as Spite. He kept it familiar, controlled, contained.

Why is Rook not in there? "Because Rook opens doors". She's is literally opening doors, not antagonizing Spite, not distrusting of Lucanis, clearing away any doubts. Rook is showing the way out of this prison by trusting Lucanis. Rook is his way forward. Lucanis also had never any reason to project anything onto Rook in his mind, because she never gave him reason to. She made it clear to stand by him, see Lucanis as he is, his own person, but also accepts Spite - they're a package deal now. She even encourages them to work together, instead of trying to suppress Spite, so they can resolve their discord. Rook absolutely trusts Lucanis. To keep control (not necessarily over Spite, but himself, as in "not giving up"), to work things out with Spite - heck, given that she is romantically interested in Lucanis, she trusts him, AND Spite, with her life.

It is only after seeing/understanding/confirming that Rook is absolutely fine with Spite and will not abandon/lose trust in Lucanis because of him, that he is ready to commit to an exclusive relationship.

Anyways, that's my interpretation of it. ¯\_(ツ)_/¯

[hestzhyen]

Analysis: Hakuri & Abusive Backstories

Hello dear void. Hakuri is a character that is near and dear to my heart so I wanted to yap about him and why his story is so important to me on a deeply personal level.

This is a LONG yapfest- the Tumblr Edit Post UI is hitching and lagging while I try to type this little notice there's so much word vomit in here. I honestly don't expect anyone to read it all the way through. I just wrote this to figure out why I was so goddamn attached to a fictional character and decided to jettison it into the ambivalent embrace of the internet. I spent too many hours on this to just delete it all once I found my answers, so... if you wanna strap in, go ahead. But maybe make sure you've got a decent chunk of free time and high tolerance for extremely subjective interpretations first.

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DISCLAIMER: This is purely my opinion- I can't speak for anyone's experience but my own.

First, this isn't a trauma dump. Not for me at least. I'll be talking about what Hakuri endured and how it shaped his character in relatable ways thanks to the quality of the writing. But there won't be anything discussed outside of what happens in Kagurabachi canon, so rest assured on that front.

Second, please don't assume I had a terrible life because I latched on to a character that was literally tortured for years! Even though the major themes resonated with me and many of my thoughts were eerily similar to Hakuri's, nothing I experienced rose to such an extreme level. Like, I genuinely deserved the one time I was hit for being a shitty over-dramatic teenager so it doesn't even come close lmao. Fictional characters don't have to be 1:1 mirrors in terms of type or severity of trauma to be helpful self-reflection tools is all.

Third, I started writing this around chapter 53 and it's being posted as of chapter 58. If it ages poorly, well, I'm not saying I'm smart just because I yap a lot.

Without further ado... prepare for an expansion of massive proportions under the cut.

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All too often we see shounen characters have an abusive sob story background to give them a sympathetic hook and a reason to start from zero. There's little to say about them other than they go from zero to hero for the good vibes and catharsis. They begin their story as a victim first and foremost, and there are little or no lingering effects from trauma once they have their moment of triumph. In the "good" cases they're healed and whole. In the "bad" cases they have negatively warped personalities for the rest of the story. There's not much in between the two extremes.

Portraying the abuse characters endure in such a shallow way is not the best way to write about it, from my point of view. Writing it as something that can be overcome with strength of will alone is harmful. So is writing the victim as a permanently damaged, defective person. Instead, we need more characters like Hakuri that are shaped but not wholly defined by their abuse, and aren't completely healed by putting the manifestation of their torment in the dirt.

Hakuri is the first character the [abusive past] attribute that actually worked as a hook for me. This is largely due to two key writing decisions: not centering Hakuri's entire narrative around overcoming the abuse he suffered, and carefully depicting how trauma influences his actions. It's necessary to read between the lines of what he says and does to see how much he hasn't said about himself- what he won't admit or recognize, despite how core it is to his character.

Chapters 19-23, Meeting and Getting to Know Sazanami Hakuri

Mantis imagery for courage!

The very first things we learn about Hakuri are as follows:

1) He pushes through hardship with sheer force of will 2) He lost his whole family and has probably been on his own for a while 3) #1 is a lie

I've brought it up before, but food symbolism is all over the place in Kagurabachi- it's often a short-hand for comfort and connection. So Hakuri spilling that metaphor out of his mouth right after telling us he's able to "push through" is a sign that he actually isn't coping with his situation that well. His thoughts about himself and his actual status don't match up. But it's ridiculous imagery that puts us off and pushes us towards thinking he's kind of pathetic rather than making us feel sorry for him. And the rest of his introduction, while accurate to his character, buries the lede on how much he's suffering.

As for his backstory: he was disowned, yes. He says his family will kill him if they see him, yes. But it reads more like Hakuri was punished for being a moral black sheep after he himself framed being disowned as punishment for "being weak" and "getting in the way of business". There's no hint of foul play on his family's part other than being low-life criminals to be fought as the arc villains. So he's primed for some sadness but probably nothing on Char's level. The only hints we have towards something serious until the chapter 24 reveal are not exactly obvious:

-He has a fatalistic mindset and thinks it's natural for him to be overpowered and kicked around because he's weak. (Could just be typical zero-to-hero shounen character things.)

-He's generally unafraid and highly tolerant of pain. He gives no shits about his condition after being kicked around by the Yakuza, smears the blood from his nose while casually talking to Chihiro, and willingly takes a strong hit and is able to yell encouragement to Chihiro while lying bloody on the floor. (Doesn't really stand out in a series as violent as Kagurabachi; this is kind of the bare minimum for being involved in the plot if you aren't a child to be protected.)

-Perhaps the only big tell-tale sign: we zoom in on his trembling fist when describing his older siblings as "strong and scary" in chapter 23. (Could be inferred as fearing for his life since he also says they'd kill him on sight in the same chapter.)

Hakuri's not written like a typical abuse victim in this intro. We don't get commentary from other characters about how much pain Hakuri seems to be in- they comment on how weak and dopey he appears instead. Nor do we get shots of him looking sad, flinching away from touch, or being hesitant to connect with other people. He's actually kind of unhinged with how passionate and eager he is to join forces with Chihiro. He's intense and ridiculous and gets used like a wholesome gag character more than anything else.

So there's not much to suspect here. Hakuri's got more to reveal to us but there are no signs of what we should brace ourselves for. Then the nightmare starts.

Chs. 24-26, The First Glimpse

This page goes from 0 to 100 REAL quick.

Well, shit.

Behold the understated reveal of Hakuri's status as a victim of abuse. The revelation at the bottom of the page only to see his suicide attempt on the page turn is an extremely effective "oh shit- OH SHIT-" two-hit combo that arrests the reader's attention, and I really wish that it was the most memorable part of the chapter for more people. Because holy hell, this recontextualizes everything we know about Hakuri. He's still a passionate, silly, and slightly insane guy, but damn he actually suffered more than he let on.

To find out like this is unusual, isn't it? Char's situation wasn't shown right away either, but meeting her as a scruffy orphan clued us in that she was going to have a tough past from the start. Hakuri, by comparison, gave us very few obvious hints about it. It's like he doesn't want to be seen that way. He openly admits to being "weak" and "useless" but his own pain? The suffering he endured? He's totally fine pushing past it all (lies).

But we're not even close to done yet.

Note how Hakuri's focused on Soya's hands...

Hakuri's first instinct being to jump to his death says a lot. Unlike standing up for the little girl or jumping in to save Chihiro, this is a purely reactionary response. There's no room to think back to Chihiro's bravery for inspiration as those memories overwhelm him. He's terrified. So he jumps and trembles in fear as Soya tries to talk him into coming back to relive his nightmares.

We laughed at the soda spilling out of his mouth and his expressions after he got hit in the face by Hiyuki, but this is deadly serious. Hakuri isn't okay at all. He's actually in very bad condition and the way he thinks about Soya says so much.

The panel explaining Soya's expression of "love" on the page above is important, but it's not emphasized in the same way as what's happening in the present. It feels like an unpleasant detour into Hakuri's inner thoughts for extra context while the main focus is on him and Soya in the moment. Hakuri doesn't even describe what happened to him directly- he says "punching and kicking" like it could be anything from hazing to broken bones, but the backdrop lets us know that it's probably closer to the latter. It gives the impression that Hakuri (understandably) doesn't want to think about this at all.

He also frames Soya's aggression towards him as an expression of "sincere" affection. That's preposterous and heart-breaking to most people- violence isn't love. Even most victims will acknowledge that... to a point. Violence hurts, it's unwanted, but it's still a valid expression of emotion to be acknowledged. It's something they earn or deserve. The rational people are correctly screaming NO IT'S NOT! And most victims would agree again... to a point. Somehow they're the exception to that mindset. Other people don't deserve it, but they do.

So despite it all, Hakuri is still able to be brave for Hinao's sake. He's not going to let Soya hurt anyone else if he can help it, even if it means putting himself back in harm's way. This adds an interesting layer to his character. He's laden with trauma, but he's still able to show courage for others. He thinks he's weak and won't prevent whatever abuse comes his way, but he will put himself at risk to stop others from experiencing the same or worse.

Why is he so devoted to protecting other people at his own expense? Sadly, it's not uncommon for victims to advocate harder for other people than they do for themselves. It also has something to do with the merchandise woman that was mentioned this chapter, but that reasoning won't be revealed for a while yet.

"This pathetic wretch was born a Sazanami, but he can't even do sorcery. He's useless. Worse, he's a hindrance. His life is worthless."

There's another thrill of panic when Kyora summons Hakuri to use his life as a bargaining chip. Hakuri's at his most pathetic here- he's on the ground, helpless under Kyora's foot, not even trying to resist or escape. None of the fire we saw when he saved the little girl, took that hit for Chihiro, or defended Hinao is present. Hakuri can't be brave for himself. He's quite literally trampled by what passes for the Sazanami version of "love" and "basic human decency". It doesn't need to be spelled out any clearer than this: Hakuri's woes come from his family, especially his father. The Sazanamis are fucked up even when it comes to how they treat their own flesh and blood. They're rotten from the head down.

It's obvious then why Chihiro's words and actions affect Hakuri so much. Hakuri thinks he has no value whatsoever- his father says as much, and he falls for Shiba's bluff implying the same. Only Chihiro steps in to directly repudiate Kyora's toxicity and say yes, Hakuri does have value. So much, in fact, that he's willing to trade the precious memento of his father (and the majority of his strength) to prove it. So they're able to leave, but not without Hakuri encumbering himself with a huge amount of guilt for how things went down.

The face of someone ready to spiral down and out.

It's telling that reassurances don't do much to help Hakuri feel better. Shiba tries to help by offering generic comfort (ice cream) and Chihiro tells him it's alright, but it's not until Hakuri hears that he's still needed that he's able to bring himself out of the mire of self-hate.

Of course it's extra effective for Hakuri because he was considered totally useless, but this is very relatable even for folks who weren't told they had no value on a daily basis. Offers of comfort only make the self-hate worse for some people who think they're utterly worthless. Even simple gestures like Shiba's twist the knife and reinforce the idea that the person doesn't deserve any kindness whatsoever. It just piles on the guilt. But being given something to do -especially if it's believably framed as something only they're capable of doing- feels incredible. They might have some value after all, even if only for this one thing.

It's something that I really appreciate the author doing since it's a touch that didn't need to be added. Hakuri could have just found a bit of solace in Shiba and Chihiro's words, which would have given more time for other things to be addressed in the chapter. But it's important to show that Hakuri struggles with accepting kindness because he took his father's words to heart. His feelings of worthlessness and uselessness are essential to who he is.

After this we see him at Chihiro's beck and call, prioritizing his requests over everything- relaxing with Char and Hinao, even his own comfort with another ice cream/food metaphor. It's framed as something silly and dog-like for the laughs, which once again encourages us to downplay the severity of this issue for him. None of the other characters ever directly point this out either. It's one of those informed traits that influences Hakuri's actions without any acknowledgment from himself or others, but just like the soda spilling out of his mouth, we're invited to treat it as a gag.

From here, the focus shifts entirely to building tension for the raid on the Rakuzaichi. Hakuri's circumstances are put on the back-burner to simmer for 5 weeks in real time until he confronts Soya in chapter 30.

Chs. 30 & 32-34, The Soya Rematch (what Chihiro and Shiba know):

Hakuri puts his fear of Soya aside to bait him out to help the mission. Chihiro and Shiba gave him a job to do, so he'll see it through no matter what. Unfortunately things don't go as planned and he ends up all alone with his biggest tormentor.

I'll have more to say about Soya himself in his own section with Kyora later, but it's very clear what his role as Chief Bully is, narratively speaking:

In a lot of ways, Soya is more object than actual character. He's our almost cartoonishly evil device to represent everything that's been repressing Hakuri. He's the demon in his head telling him he's useless, pathetic, weak, and so on. So Hakuri trying to square up to Soya is also him facing off against the things he's internalized that hold him back.

Hakuri's struggle against Soya before he awakens seems very hopeful and standard shounen. He's fighting the internal battle at the same time as the external, telling his brother to "shut up" while his mind races to figure out what he should do now that the situation went belly-up. He could keep playing the victim and take Shiba up on his offer to help since he can't reach Chihiro, or he could play dead and wait for it all to be over... or he could try believing in himself. Because Chihiro saw something in him and even if he can't bring himself to think he's strong and capable, he can at least have faith in Chihiro's words that they would end the Rakuzaichi together.

This time it works and he's able to shove Soya close enough to the tree wall so that Chihiro can give us a great visual metaphor to show us what just happened to Hakuri:

Chihiro is the one who broke Hakuri's mental barrier for him. He couldn't do it himself, but someone he admired believing in him in return made all the difference. Hakuri just needed a little support to start coming into his own.

He stays behind to handle the rest of the fight on his own while Chihiro goes ahead to meet up with Shiba- he can do this himself now that he's awakened thanks to their help. Very wholesome, extremely shounen. But there are deliberate writing choices which make it obvious that there's more going on beyond the surface that winning this fight won't fix or even fully address.

In Chapter 32, Hakuri tells Chihiro and Shiba a slightly condensed version of his experience as an uncomfortable reminder for the reader. Oh, right, Hakuri was abused- at least that explains why he survived a Flame Bone punch to the face. Anyway, let's move on to ditching John Hishaku and kicking Soya's ass.

The framing is so interesting to me. Chapter 32 uses preexisting panels that are cropped and presented slightly differently compared to how they originally appeared: Ch. 24

Ch. 32

Full page for reference.

When Hakuri recounts a version of the abuse flashbacks, they're not merely downsized to fit. They're cropped to downplay the gang-ups and are smaller in size compared to the rest of his story, almost as if he doesn't think it's that big of a deal compared to being unable to keep up with his siblings. We don't even see his own words describing what happened despite him talking freely about everything else. Instead, the abuse sequence is treated like the panel where he describes Soya's "love"- Hakuri talking to Chihiro and Shiba about his suffering is an unpleasant aside to give context rather than the main event.

Seriously. The dialogue of him explaining why his family gave up on him over the reused backdrop of the Sazanami estate is given more time than him being hit and kicked. Chihiro and Shiba get the "it wasn't so bad" version of events compared to what Hakuri remembers experiencing, and we're invited to treat what's normally the foundation of a character's entire existence as a convenient explanation for why he's so goddamn sturdy.

Neither of them noticeably react to his story too. We got a bit from Shiba in the car in Chapter 26 when he realized Hakuri was probably stewing in self-hatred, but we've never seen any of Chihiro's thoughts or reactions since he was disgusted by Kyora using Hakuri as a bargaining chip. He does reassure Hakuri that they'll be there to help him, but isn't it strange we don't see Chihiro's reaction to this information at all? We see little panels of his concerned faces all the time for less than what Hakuri talked about here:

Chihiro cares a hell of a lot, and he's very attentive to boot.

Obviously we don't see Chihiro and Shiba's reactions because they aren't important. This isn't about Hakuri's abuse- we already knew about it. The focus is on Hakuri's awakening and his faith in Chihiro, not the past.

This is a victim's mindset manifesting as clever visual storytelling, in my opinion. Of course it's not that bad when he has to talk about it; he invited it by being weak and not living up to standards. It wasn't a big deal though. There's more important stuff to do right now anyway. And the story moves on as if to agree with him- we go right back to our regularly scheduled action scenes interspersed with some flashbacks to contextualize other characters, namely Tenri and the Sazanamis before Hakuri was rejected.

That's right, Hakuri once again dodges abusive past cliches by being doted on and cared for before he was found lacking. He knew what it was to be loved, even if the Sazanami version is manipulative to the point of being abusive all by itself. There's more to say about this under Kyora's section but no wonder Hakuri's so fixated on being useful- he wants that affection and sense of belonging back more than anything. It's fucked up, but it's all he knows. So Hakuri was abused twice over: emotionally and physically. Damn. He turned out pretty alright despite it all, huh? Wonder how that happened...

Well, it's time to move on now so he can ascend and overcome it all. He's gotta yell "Isou!" and prove himself, and the next two chapters seem to be putting him on course to do just that, albeit with some difficulty. Can't make a character's awakening too easy or it won't feel earned. He's got some serious trauma to overcome thanks to his family's bullshit.

Then chapter 35 hits and we get the nightmare fuel.

Ch. 35, The Real Backstory (what Ice Lady knew):

Chapter 35 is that long-awaited full-chapter delve into Hakuri's painful past with the mysterious woman, and boy does it have some unsettling revelations.

Ice Lady's tragedy is framed as the important driving force for Hakuri as we know him- she broke him free from his family's grip and motivated him to seek help to end their evil ways. She's the entire reason we meet him in Chapter 19. Everything Hakuri is doing this arc ties back to how badly he fucked up with her, setting the stage for him to become the savior he tried to be when we met him. Oh yeah, we got more Hakuri abuse lore. Can you believe that WSJ let the author get away with showing someone slitting their throat in front of a kid?! And make it at least partially his fault? Jesus Christ. Now it's truly time for him to come into his own, though- oh man that cliffhanger at the end of the chapter...! Wait, what do you mean there was more to his suffering besides the situation with Ice Lady?

I was being a bit facetious there but the point stands. We didn't get a tear-jerker reveal chapter dedicated solely to Hakuri's pain and suffering at long last just to make us feel bad for him and nothing else. Instead, we got a full-blown tragedy caused by the Sazanami cycle of abuse. The nightmare of Ice Lady killing herself in front of Hakuri overshadowed the reveal that damn, Hakuri actually had it super rough. Because yeah, that was unexpectedly brutal even compared to Chihiro being baited with Char's severed leg last arc. It really drove home just how fucked up the situation with the Sazanami family was and how it affected everyone that got tangled up in their bullshit.

So the presentation of what he endured is once again subdued even though the panels showcasing the tools took up half the page. Soya breaking Hakuri's finger was called "bullying" (いじめ[ijime], not 虐待 [gyakutai, abuse]). A single flash back frame off to the side seems small compared to the emphasis on Hakuri telling Ice Lady (and us) that it's "not that bad" because Soya keeps losing the tools and going back to using his fists (the terror in Hakuri's expression in that panel is completely at odds with how calm is explanation is, though). It's also not unreasonable to presume that the jump rope, peeler, and wrench were shown for the audience's benefit to clue us in that Hakuri's holding back again, much like the panel describing Soya's "love" in chapter 24. He's always saying the bare minimum and trying not to think of the rest- he buries that shit deep.

But he has to if he wants to keep going. There's no way he can sit down and process all of this right now:

Hakuri: "It's normal for my brother to break my bones and worse before he loses the tools. He usually only hits me anyway, so it's not like this happens all the time."

Woman betrayed by the man she loved to be sold at an auction as merchandise to the boy overseeing her captivity: "That's messed up!"

"This is as close as I can get to being cherished by the people who are supposed to care for and support me."

He even misses the point when he finally does open up:

"You're the one who's trapped in a cage."

This part is the hardest for me to write about, honestly. Again: I was never tortured or anything, much less hit. But this chapter is the one that made me take a good, hard look at what I went through and connect some dots. Hakuri's mindset, the things he says, the way he phrases things- that's someone who doesn't want to acknowledge that they're in a bad situation that's not their fault.

Hakuri will talk about his own worthlessness and all his defects that "invite" the abuse, but he won't acknowledge that he doesn't deserve what's happening to him at all. He's not the kind of shounen character who understands that his situation sucks and uses it as fuel to become better. Instead, he's stuck in that oh-so-relatable spiral of self-deprecating negativity that keeps victims trapped.

It's easier for Hakuri to think he deserved it for his own failings. This wouldn't be happening if he hadn't earned it somehow. He's in this situation because he's weak and any "love" is better than none at all. Then it's reinforced by the genuine helplessness and vulnerability of being too isolated to escape or know better, compacting down into dense layers of denial and self-hate that act as defensive armour against emotions that are too difficult to face. Like anger or the desire for something better. Like hope. Those are only felt on behalf of others, not himself.

At any rate, it's a bit distressing that so many people forget that Hakuri's actually a hell of a lot more complex than he was hinted to be before this chapter. He's not an innocent in all this like Char was, which is incredibly smart and realistic writing from the author. Hakuri was also an abuser himself. An accidental one, but doesn't matter when you talk to someone the way he did to Ice Lady. He didn't swing the knife but he did kill her with the same mentality that was crushing him down on the inside.

He doesn't use his suffering as an excuse for anything he does, good or bad. Not even in the sense of wanting to save others- that's all about Ice Lady and his family's terrible legacy. What happened to him isn't worth mentioning or acting on. Yet another distressingly accurate facet of a victim's mentality, unfortunately.

But this must be it. This chapter was a depressing surprise but surely there's nothing left to reveal. We had his big moment of sadness so it's only going up from here. Hakuri's going to overcome everything and it'll all be okay! Back to standard shounen powerups!

Chs. 36-43, Putting the Past to Rest (things only Hakuri knows):

Oh.

In chapter 36, the storehouse reveal somewhat overshadows all the instruments of abuse Hakuri unwittingly stored inside it. There are a lot of people who completely forgot about the objects in there during the hype of the moment, and I never get tired of seeing "WTF?!" posts and comments from folks doing re-reads of the arc. It's so easy to overlook the rope and sticks and all the other tools when you're cheering hard for Hakuri to finally, finally overcome his tragic past by putting Soya down. Worst Big Bro is gonna pay and Hakuri's ascension will be complete! ... Wait, was that a goddamn chair?

There's also a point made of Soya's defeat not being a resounding victory.

Still framing Soya's abuse as love, but it's got a bitter feel to it this time.

Hakuri is the one who gives Chihiro strength in the moment despite everything he's just been through.

We're cheering when he awakens and pressurizes Soya's guts, but then these panels remind us that there's nothing to celebrate from Hakuri's perspective. He doesn't savor finally overcoming Soya as his abuser or the manifestation of everything that's messed up about his family. There's no immediate sense that things will be okay from now on either. To Hakuri, this isn't a personal victory. It's just something that needed to be done for Ice Lady and all the victims of the Rakuzaichi.

This is a sort of capstone to Hakuri's backstory. The second-to-last new thing we learn about him is that the abuse was still somehow worse than we thought. He really, truly buries the lede when it comes to what he suffered and the writing is in cahoots with him on it. He won't even take the time to smile or feel a little relief- he's not ready for that yet. Instead he just walks past Tenri's mutilated corpse to pull Chihiro along to get the job done.

If this was a different series we might get a little more catharsis- even just the barest hint that Hakuri's gonna be just fine from now on. But this is Kagurabachi and the author fucking gets it so there's still a little more to unpack before Hakuri can have an opportunity to begin the healing process.

In chapter 37, the pain of Kyora looking away was framed as just as important to Hakuri as the fond memories of when he was loved and wanted:

"... I still wanted you to praise me, Father."

The very last thing we learn about Hakuri is that he wanted his father's love despite it all.

Hakuri ended the torment from Soya- he'll never have to worry about his skin being peeled off or getting beaten with a pipe ever again. But the cycle that caused it- and the complex feelings for the people who hurt him- aren't so easily dealt with. It's not so simple as being hurt and flipping a switch to stop feeling affection for the perpetrator. So Hakuri acknowledges that he still wanted his father's praise in spite of the years of torment the man knowingly enabled.

In the end, Kyora grants Hakuri's secret wish and acknowledges him at the very last as the chaos fades away so that they're the only thing in each other's view. He really, truly won it all. He doesn't rejoice in victory, though. Once more there's no triumph for Hakuri to celebrate. Killing his father was just another thing that had to be done so that there would never be another Ice Lady.

It's hard to say what exactly Hakuri's feeling about Kyora's death since it's yet another thing we haven't seen him talk about- and may never. It's not too much of a stretch to think he's got a complex mix of sadness, relief, and guilt going on, though. At least the moment when their eyes met was intensely cathartic after all the times Kyora deliberately looked away. But Hakuri's still not okay yet.

It's not like life suddenly gets better when the abuser is gone for good in some cases. Hakuri's still struggling in the immediate aftermath of seeing his father die at last. It's a relief that there won't be any more pain caused by the Sazanami clan -and Kyora in particular- but it still fucking hurts to lose someone so important to you. It's also frightening to suddenly be thrust into the unknown without a guide of any kind.

Fortunately for him, Hakuri is able to find new purpose with Chihiro. He gets to walk away from his family and stay with the people who believed in him. This is another thing that I can't praise the author enough for. It's far, far too common for writers to frame victims reforming their abusers as some kind of ultimate victory.

No, no, no!

The most charitable way to explain this is that the survivor is so saintly that they'll even reach out to the ones who hurt them to help them become better people. But that is such utter bullshit I don't even have the words to express myself properly. It's terrible messaging for survivors. They don't have any obligation whatsoever to help the people who hurt them. They don't even have to keep tabs on how the abusers are doing in a general sense. They get to fucking leave and find happiness with people who treat them well. That is the true ideal.

Hakuri being given a clear out to leave is where the rest of the catharsis in his story comes from. He doesn't have to stay and fix things even though he absolutely could as the first person since the clan's founder to have both Isou and the storehouse powers. Kyoura and Soya are gone- he could have stepped in to make the clan right their wrongs and atone as a family. But there's not even a hint of guilt tripping from the author about Hakuri's decision to follow Chihiro. It's framed as the best possible thing for him to do, in fact.

If he stayed, he'd never work on the other issues around self-worth that he's burying so deep inside. Switching from villainy to good deeds won't resolve the issues with the clan's mindset about being living tools for a greater cause either. Not to mention the fact that there's nothing his siblings can offer him even if they treat him like a king for the rest of his life- the damage was already done long ago. There's nothing left for him there except more misery and stagnation. He needs to go with Chihiro, his new north star, to learn how to heal.

But lest this outcome be too heartwarming, Hakuri's still not directly facing everything that he went through. Hakuri phrases working alongside Chihiro as "proving the value that [Chihiro] saw in him", not "starting over" or "making the world a better place together" or even "paying Chihiro back" by helping him on his mission. He's still trying to be useful in the service of someone else like a tool.

Hakuri's bruises are already fading; or at least they were until I had to edit this part in light of the events of chapter 56 onward. But the mental scars of the abuse are still guiding his actions and thought processes even if he doesn't acknowledge it. And that's where we come back to the torture implements still hidden in his warehouse.

Hakuri's not home free despite us collectively sighing in relief that he got his Happily Ever After, subdued as it was. He needs to face what he's been avoiding and burying so that he's not endangering Chihiro's plan and the people around him by throwing himself in danger just to be even the slightest bit useful.

Oftentimes, trauma is an invisible scar that needs to be worked around for the rest of someone's life- hence why he's still got those physical manifestations stored deep inside where only he can see and grant access. Hakuri's only just started out on the path to redemption and recovery. He needs to start addressing the guilt over Ice Lady and learn some tough lessons about self-worth before he can even begin to look further inside to those Visual Metaphor Tools.

After that, if the author's interested in continuing this part of Hakuri's character, is exposing them and what they mean to someone who can help Hakuri get rid of them. Whether that's Chihiro, Shiba, or someone else doesn't really matter. Hakuri's got a long road ahead dealing with the lingering after-effects, unlike so many of his fictional fellow survivors. He's still very much in need of a lot of support from his new found family- now more so than ever after what happened in chapter 58.

Soya and Kyora

There's something to be said about the writing for the primary abusers, too. The Rakuzaichi arc was well-received in large part to Kyora being an incredible villain and Soya being... Soya.

Soya

And the "Worst Big Brother" Award goes to...

Soya serves two primary purposes in the narrative: to contrast Hakuri's character, and be the manifestation of everything that was wrong with the clan.

Soya and Hakuri share similar looks, hand gestures, and extreme expressions but they couldn't be more different. Soya has the inverse of Hakuri's character framing: he's shown to be competent and strong, and almost everyone in-universe acknowledges him as such-we're even told he's smarter than Kyora. But he's actually quite the pathetic loser due to his freakish obsession with his "weak" little brother.

More obviously, Soya is the rotten core of the family. He's obsessive over Hakuri to an extremely alarming degree- he even refuses his duties as the next clan head and a member of the elite Tou to find and stay with Hakuri. Kyoura tells him to "stop fixating on that failure" but Soya's having none of it, he just can't let go of his "endearing" weakling of a little brother. Bullying Hakuri is what he lives for and he does it all in the name of purest love. Just like the clan lives for the Rakuzaichi and are devoted to it mind, body, and soul. They're both extremely toxic and Soya's the guy who gets to represent the deleterious effects of cleaving to abusive mentalities on individual members.

Soya's fists and words to Hakuri are the blatant messaging about what the Sazanami mindset did to him. He had that mental block preventing him from using his sorcery because he was constantly being told he was weak and useless. It was literally beaten into him as a form of love, but not all abusive mentalities need to be reinforced with violence. Soya was just there to make the point too obvious to be missed.

Hakuri's final words to Soya say it all. Soya throws a tantrum over Hakuri refusing to lay down and take the abuse any more and screams "Why won't you go down?! Why won't you die?!" Hakuri simply responds that it's because Soya "always loved [him]" and deals the final blow. He was able to recognize the strengths his family gave him through Soya's "love" but he's not grateful in the slightest (and he shouldn't be). He's simply ready to sever all ties and move on with tearing it all down now. Hakuri was finally able to accept that he didn't want or need that kind of love in his life any more.

Kyora

And the "Worst Dad" Award goes to...

Obviously, Kyoura is the key to this whole mess. He's the one who instilled his children with corrupt values, enabled Hakuri's abuse, and generally Fucked Up Big Time when it came to loving his kids properly. But he thought he was doing the right thing because what's what he went through. He was both abuser and victim himself, just like Hakuri.

This is the key part of abusive backstories that are so often missed. Abuse doesn't always come from deadbeat caretakers that hate the innocent little kid. That scenario is actually way too over represented in fiction, honestly. Abuse isn't always constant malice- it can start later in life. It can even be born from love. Ultimately, it's all too often the unintended consequence of a family haunted by the specter of the cycle. And Kyora is the perfect summary of how and why it echoes through generations.

Hakuri was loved and wanted for at least half of his life. His family might not be wholesome or have healthy attitudes about affection, but he wasn't born hated and mistreated just for existing. He was cared for to the best of his dad's ability just like Tenri and his other siblings.

Even when Hakuri failed to live up to expectations, Kyora didn't just write him off and turn him loose. He kept Hakuri around for years feeding and clothing him and let him try to do what he could. Kyora simply couldn't justify protecting him or showing love since the family ideals were so warped around being able to serve the clan's tradition. He wasn't "allowed" to love a failure, no matter how much he wanted to.

Kyoura struggled about his feelings for his "worthless son" in the flashback we saw through Tenri's PoV- he wanted Hakuri to succeed. He acted like Hakuri forced his hand to punish and marginalize him for failing too hard, not out of ill-will. And during the raid itself he was actually "bent out of shape because he used Hakuri's life as a bargaining chip", according to Enji. It wasn't even until Hakuri showed up to break into the storehouse that Kyora truly cast everything away to prioritize the Rakuzaichi. He really did love Hakuri in his own way.

Kyora was a shitty dad and person, don't get me wrong. No one should put family tradition over their child's well-being and he more than earned his death just by being a human trafficker. But it's clear that Kyora wasn't written to be a shallow, irredeemable monster of a person- he didn't exist in the story just to be a villain and to make us feel bad for Hakuri. He's a tragic character in his own right.

He couldn't even understand why his wife's final words about the auction ruining their lives was replaying in his head near his final moments. The what-if scenario of his happy family sitting down to eat dinner in an apartment somewhere showed his longing for something that he could have had, if not for the goddamn auction. If not for the abuse that made him into the person he chose to be until the very end.

It's why Hakuri getting to walk away is such a poignant end to the Rakuzaichi arc. He's the one who gets to break the cycle on his own terms, and that's the true end of the Sazanami dynasty. The auction hall doesn't collapse until he decides to stand tall and follow a new path. Whatever Hakuri's siblings do with the Sazanami legacy isn't his concern any more- he's free.

What About Char?

Char's story was also well told! It's the earliest evidence that the author actually gets it when it comes to depicting abuse victims. She's reticent despite her desperation, unable to open up even when Shiba and Chihiro tell her she needs to or they'll send her to an orphanage. Eventually Chihiro wins her trust through his altruism and she comes to believe in him. She and us are the only ones who know exactly what happened with her mom, but it's not important for the rest of the cast to be in on it. She's safe and happy now and that's enough.

Even though Char's arc ended close to that overly-simplistic "everything is k now" scenario that I hate, there's one key difference that sets it apart to let us know that no, she's not truly okay yet.

Char's still got some attachment issues, which makes perfect sense. She lost her mom in a traumatic way so of course she's happily surprised that Chihiro came back to her. Char's on the path to healing- she's able to thrive thanks to Team Goldfish's care- but her abusive past still shapes who she is in small ways like this.

I doubt we'll see more development of her beyond checking in now and then. She's too young to be consistently involved in the heavy themes of Kagurabachi's story, much less the fights. But it's good to know that the author includes little details like this so we don't assume Char's 100% fine now. He understands that trauma doesn't just vanish when the victim's safe in their Happily Ever After scenario. That's why he made sure we knew that she's going to be okay in the long-run.

Ch. 26, right after Chihiro trades Enten for Hakuri

But Hakuri's not there himself yet.

Food as a metaphor for comfort, security, and/or connection is constant in this series. It's very obvious symbolism to let the author convey a bit more context in the scene than dialogue alone can. So when Hakuri rejects food here, he's rejecting reassurance from Shiba. Meanwhile Char's already comfortable enough to accept it. Good for her, truly!

Hakuri's situation wasn't necessarily worse than hers, but it was a lot more complex. So even though he's safe now, he's not really able to pursue his happiness yet. All those tools he keeps locked up inside, the mindset of being one himself- they're still issues for him to work through. But there's hope for him too.

The author went out of his way to show us that Hakuri's also on the path to healing here. The last time Hakuri shared food with someone, he was forcing his abusive ideology on Ice Lady. She started finishing the meals and truly internalizing the hopelessness of her situation. He fucked up the food as comfort/connection metaphor bad with her.

Yet in Chapter 47, we see Hakuri sharing some snacks with Chihiro on the train. Sharing food isn't connected to the situation at hand or the information dump it's serving as backdrop for, so it's definitely a deliberate choice on the author's part to depict this instead of literally anything else. It was shown to let us know that Hakuri's on his way to his own Happily Ever After.

He's able to connect to Chihiro and not worry about the repercussions. This is a huge step for his character and speaks volumes about the level of trust between them; this is the first time Chihiro's willingly accepted food from someone else too. Hakuri's not only still reaching out to other people, he's still able to provide warmth to others despite it all.

What's Next?

I'm not going to pretend that I can predict what Hakuri's story will look like from here on out. He'll have a hard time for as long as he's slated to get development though- Kagurabachi takes the adage "suffering builds character" very seriously. We're only 58 chapters in as of finally posting this so it's best to strap in and expect a lot more pain.

That said, I feel like Hakuri's self-sacrificing mindset is going to be addressed first. As of chapter 55, he's set up to fail and cause problems by throwing himself into danger despite not being fully healed or rested. The root of this issue would likely be his atoning savior mindset. Hakuri needs to protect and save others very badly after what happened to Ice Lady. He also loathes the idea of others making sacrifices for his sake. So he's willing to throw his life away even when it would be better for his allies if he stayed out of the fighting.

There's also a good reason we met the Makizumi clan in the arc immediately after the Rakuzaichi fell- Hakuri needs to start dismantling the "tool" mindset that was drilled into him. He's only switched his fervor from serving the Rakuzaichi to serving/saving others. This is extremely toxic when combined with his guilt over Ice Lady and drives him to go to extremes to do good, to the point where he's ignoring everyone trying to get him to rest and heal for the sake of the mission if nothing else.

In essence, I believe we are going to finally address the lie of his introduction- that he can keep pushing through hardship with sheer force of will. Because that is not how overcoming trauma actually works.

After that, only the author and his editor know exactly where things will go. But I hope that no matter what happens, Hakuri's lingering trauma is exposed and dealt with. It's informing all of his actions, positive or negative, whether he wants to acknowledge it or not. I have faith that this author can tackle this subject compassionately and realistically- he's already done it twice with Char and the Rakuzaichi arc.

So that's that. If you read all this... thanks. Take care, and choose kindness for yourself for today.

[shadamyheadcanons]

I can see Shadow being a girl dad, he'd be the type to pull out a gun whenever a adult gets too close to his kid but also be the one to dress up as a fairy princess for her tea party.

I’ve always loved this, too! Shadow just gets along super well with women and girls. I don’t know of any time when he’s had a proper conversation with Cream, but wholesome fanart of him babysitting her and wearing flower crowns she made for him is everywhere.

I interpret Shadow’s protectiveness in a specific way. He’d stand between his kids and a threat whenever necessary, especially when the kids are young, but I think he’d ultimately prioritize teaching them to defend against any threats themselves. I see him as less of a “mess with my kids and I’ll make you pay” dad and more of an “if anyone messes with you, sweetheart, don’t hold back” dad. He doesn’t have to worry because he’s made sure they’ve got it covered. Every shadamy kid gets a gun, a hammer, or both, and his respect for women means he wouldn’t hesitate to arm them. None of this “girls are delicate flowers” nonsense from Shadow. Martial arts are on the table, too; with Amy, Shadow, Knuckles, and Rouge all being close by, she’d be a threat even without a weapon.

In all seriousness, he’d want to be absolutely sure the kid is battle-ready even when he’s not around because he knows better than anyone what the consequences could be otherwise. That’s one thing I think he’d love about Amy, too; he knows she’s made herself a contender in her own right, and they’ll both look out for the ones they love. Together. Battle Couple, Battle Family.

Toonsite has a couple really cute comics about Shadow babysitting Cream that fit this motif...

[x] [x]

...and ChocomilkAmy has a funny one with a shadamy fankid:

[x]

And although I love the idea of Shadow having a daughter, he’d of course love his kid regardless of gender. Which gives me an excuse to link Rhael’s wonderful, adorable little mini-comic of human!Shadow holding his newborn son:

[x]

I’m not crying, you’re crying :’)

And speaking of kids and family stuff...

@multishipingriy

I think Amy would be the one to ask for a first date, but Shadow would be the one to propose. Amy initiating the relationship matches her bold personality and lines up with my recent theory about their feelings. I also sometimes wonder if Shadow would be insecure about romance or feel she “deserved better,” so he’d hesitate to act first, but she’d break down those walls and pump up his self-esteem straight away. A few years in, he’d definitely have the confidence to propose. It’s not that Amy wouldn’t, but more that I feel she’d forever cherish a romantic proposal, and he’d want to do that for her. Shadow knows what he wants, and if that’s Amy, he’ll make it happen. Because they both deserve it.

The topic of children is one that I think is unique to their situation because Amy’s already made it clear she wants them, even this early in her life. Sonic Battle was particularly brazen about it...

(Sega made Cream a rabbit when they should have made her a GOAT.)

...but if that seems like too much because it is, I’ve organized this before, too:

Amy’s already nurturing. Once she gets older, I believe her existing behavior would bend in a more motherly direction, and it would be so clear that she wants to be a mom that she wouldn’t even need to formally clarify it. The onus would be on Shadow, I think, to speak up once he feels comfortable with the idea. I suggested some of his potential reservations in headcanon #167.

I think he’d be great at it. If you’re curious why I feel that way, check out my Father’s Day headcanon from a few years ago.

[nightstag]

Hii<33 may I request Mr Scarletella from homicipher with a soulmate who’s a big flirt and teases him sfw and nsfw hcs (if comfortable writing ofc)? :3 I mean.. due to the limited amount of vocabulary, it would probs be expressed more through physical actions, lmfao just imagining getting so touchy feely just to get a reaction out of that delulu tomato looking mf

hi i definitely don't mind!

with mr.scarleletta i think the language barrier is not much of an issue just because he comes across as the type of person who brute forces/exudes what he wants to get across with his uh everything alone.

i have a wide variety of scenarios coming into my mind with an mc who's more flirtatious and teasing.

i will say i'm approaching this from an understanding or viewpoint of it being the ending where you two are kind of together, etc. otherwise, it's harder in my own eyes to see him not doing all this for the sake of your name (naturally)

in my own interpretation, mr.scarletella has an almost intense fixation or obsession towards the mc that i feel you being flirtatious is almost akin to matching his freak so he'd literally be surprised by the sudden gestures or even comments yet ultimately ends up giving his signature smile because you're playing into him and by extension i feel it's what he wants.

i think the mental image of MC flirting in their natural language is actually really funny. i like it a lot and think it should be considered because scarletella will become transfixed with understanding or getting the reference. becoming further clingy and almost cutely in a way insist you tell him what it means, how he can understand those words, and then become reliant/fussy about you saying it to him. anytime you do he grins and gets affectionate with you in return. cupping your face ... giving you a squeeze, pulling you in. even kisses! i can see him giving them.

flirting is also just a general invitation for him to make his own moves. i feel like mr.scarletella likes the attention and in return will match what you do with him. you're gonna flirt? sure mr.scarletella will do so in return. all he has to do is whisper a "desire you now" and it gets the point across, right? "want you" "give you" "need now" to me he talks like this, very very rapid-fire like yet he's making demands/requests for you because you riled him up and he does not want to wait. he must have what he wants !!! and thats you. give kisses, hold him, cuddle. you must because you got him worked up.

working with a scenario where the mc touches him i'm going to talk over a few sfw / nsfw immediate scenarios.

sfw:

he: melts into the touch, moves his hands onto yours and drags them further along/up/around his body where you touch. encouragement of what you're doing while grinning and whispering "like me?" or something along the lines of it.

cuddling unironically he fws. i feel he is all about invading your space already so being so close to you that you both are physically touching is like a dream. eager and overexcited. he loves it and thrives being in your space. i think scent is a big element too. burying his face into you and staying like that.

i think hand holding being foreign to him until you two do it. he becomes transfixed with your hands. reaches for it all the time and wants you to tug him along or he'll tug you along.

he's addicted to kisses, nothing crazier beyond small little pecks but they make him ecstatic. scattering them over your face and/or him being on the end of them.

nsfw:

i believe that mr scarletella can swing either way but he's more instinctive to be the more dominant one in a dynamic yet YET...he's absolutely a sucker for foreplay. having his partner feel him up or tease him makes him vibrate [literally]. i feel he only would respond via trembling or shaking, huff of breath, and comments akin to "desire hand" , i think he'd especially love handjobs from MC ngl. he can't keep still. his hand is clinging onto you. fingers grasping your raincoat while he babbles. sings your praise in simple phrasing.

i also have a very big opinion that scarletella would actually love a lot of non-penetrative intimacy because i think he's just transfixed with your body, and vice versa. body worship right down to things like rutting into your thighs, fingering of any kind, etc. things of the like. it's not all about penetrative sex bc theres so much you can do and he wants to do it all.

now on the reverse end. an mc who gets touchy with him. scarletella reacting vocally but not like loud. its a lot of huffing or speaking under his breath. he tries not to be loud but maybe it becomes a challenge for mc to see if he can be made loud. i think scarletella would like being touched a lot. especially BY mc. please ??? please do desire him

his weak zones: his ears, touches to his sides

[in-the-multiverse]

I love soundtrack so here’s a sample of the ossha arc divided by character themes

I tried finding stuff that was purely instrumental and fit the vibe of everyone involved. Below the cut are links to the music and my explanation for them. Also! These are just my interpretation. If you have other music that you feel fits the characters, please share! I’d love to hear them :D

[OSSHA Avid] - Cancion by Bryan Dunne - it’s linked to the instrumental break. Ignore the lyrics they’ve got nothing to do with this. I dug around for other music with a similar sound, but nowhere else has this exact tune sooo

I had to include it. It’s too good. It’s got the jungle-y vibe with drums and easy going tune….before slowly spiralling with a high pitched sound that warns you of incoming danger. I imagine this playing at jungle kingdom while Avid lures Milkman to the tube room. “True intentions get revealed” type of theme

[Ruby] - Village of the Doomed, American McGee’s Alice ost - the ending of Ruby’s 8th episode reminded me of a neat little track that features clock noises! Something ominous was going on, and it’s reflected in the way the music creeps around while static/distorted noise rolls in. I can also see this playing when Ruby talks about collecting IOUs… something ominous indeed

[Rue] - Lost in Transmission, Little Nightmares 2 ost - keeping the music box but losing the ticking clock sound. Originally, I went through little nightmares ost because Cloneby had a creepy reputation. I settled on one that had a slow pace and felt off-putting in the perspective of other sbkers. But when she debuted in her own episode as Rue, this track also worked at a different angle. Another interpretation is how it feels like she’s out of place. The beginning is muffled and distant, then gradually becomes clear. It’s timid, but gentle. Then vintage’s episode happened and I went [damage noise] [damage noise] [damage noise] by what happens in LN2. Unintentional coincidence…. [damage noise]

[Trog] - basslord by predawka - this track hones in on their unusual and unpredictable nature of doing things in skyblock, in a very playful way! “God made this world and god gets to have fun with it” is the vibe, basically. They’re also not immune to the plot, as the later half of the music distorts and the tone shifts

[Clone Trog] - Planets by Jerobeam Fenderson - keeping the funky electronic groove, but now a different tune! Clone Trog is a spy, so I wanted a theme that felt more controlled and analytical. It’s music following a command. This specific version actually comes from a really cool animation meme, the original is longer and has more of an upbeat feel (it also comes with cool visuals. flash warning though)

[Milkman] - Shotgun, Plock! ost - this is so milkman. It’s lively and mischievous, keeping a steadfast beat like there’s no stopping his pranks and schemes. You can almost hear a laugh within the music (but that might just be me)

[Cloneman] - A Troubled Town, Miitopia ost - keeping the bass sound, but losing rhythm. It reflects his constant confusion. A fractured melody that wanders around- never on beat, never confident in itself, just…not quite right

[Red Fool] - Lazarus Waves, DOOM ost - Fool knew something was different with his partner, and he knew Avid was involved somehow. As he got more stressed and frustrated over time, his skin went from gold to orange to a furious red. He interrogated Avid, and when that got him nowhere he set the headquarters ablaze, and left a message in the control room that said “GIVE HIM BACK”

I chose a track to describe that sequence of events. Doom ost felt pretty fitting here. A lot of their music is intense, but this one’s a slow build-up and foreboding. Fool’s anger was quiet and destructive, and very very clear that he was not someone to be messed with

[Kittrix] - GOD RACE (Temptation Stairway OST) by METAROOM - “Step 6. And this is the most important step. Defy OSSHA!” She thrives on chaos as a proud member of the chaotic acacia kingdom, so her theme is unapologetically bold and vibrant. Ossha regulations are meant to be broken, and this music follows its own rhythm. It’s mostly very energetic, in a similar genre to Trog’s theme. It also distorts and falls apart at the very end (glitch/flash warning for the video)

[Vintage] - K.K Étude (Aircheck), animal crossing ost - what better music to suit a sweet, polite unpaid intern than some good ol’ animal crossing. It’s a lovely piano track, the right amount of cheerful energy, something that says “don’t mind me :) happy to be here”. There’s a brief stutter/glitch, then the tune goes back to normal. “Don’t mind me :) working as usual” A classical vibe, too

[Void Witches] - House In The Woods, Hilda ost - I imagine this as the theme that overpowers Avid’s presence at mangrove kingdom. It’s mystical, it’s got hushed vocals and wood creaking sound effects, overall very ambient and witch-y. Mangrove was one of the most vocal kingdoms against ossha, and I wanted their theme to feel powerful in its own right

[Olm] - Night on Bald Mountain by Mussorgsky - Olm was behind the entire ossha operation so I looked for something to match the villain energy. Since he’s an ancient being, I thought it’d be nice to get classical music. His theme would be very dramatic, very commanding, and full of “big bad guy” energy. An entire showdown of the power he wields

(Side tangent, I first heard this on Fantasia! It’s a movie from 1940 and the animators had a lot of freedom to do what they wanted. Everything was beautifully hand drawn, here’s a scene from night on bald mountain, it’s incredible. The entire movie rewired my brain growing up, I love it so much)

[keewu]

What VOCALOID/utaite song fits the sds characters?

This is basically me combining my two biggest interests haha, but yeah I've really thought about this.

Meliodas: Aun no Beats. So from what I've read and what I think the meaning of the lyrics is. It's a person who mourns the death of their lover, and not being able to be together anymore (we all know why this checks out) the line that stuck out to me was "we were going to be together forever" anyway I really like this song and I think it fits him.

Elizabeth: Yume to Hazakura. This is a really beautiful song and its very melancholy. It talks about distant memories and unforgettable words, tbh I think it just fits her vibe. For Meliodas I had like a reason I don't think I have for this one. But it fits her and it's a beautiful song.

Diane: Lonely Universe. It was HARD finding a song fitting her man. But I think this is cute and it's her feelings toward King. It's in my opinion about a person who loses someone (King making Diane forget about him) and waits for them to come back, like they are always looking for something. It also feels like the person waiting is quite alone which Diane was after she left the giants, she didn't have anyone since the humans found her scary.

Ban: Vita. I gotta give my man a depressing song bro. So I can't really find the "meaning" of the song so I'll just make my own conclusions. It says "I'm living as best as I can" and "dying as best as I can" and I feel like that resonates with Bans character, you can't tell me that man doesn't want to die when he deliberately went to prison to get tortured. It also says "it's getting worse and worse" which I feel like Ban felt when he said that everyone he likes ends up leaving him.

King: Lemon. Ya'll I cannot not give King the yaoi angst okay. So the song is about grieving for a loved one, someone who's already passed (Helbram hehe) it has lines which are very beautiful like "Even the pain from that day, I still loved it all with you" and "more than I knew I was in love with you" (if you can't tell I really like King x Helbram) overall the melody of the song fits him too and overall I really frickin love this song.

Gowther: Hitomodoki. This is a mafumafu song (one of my fav artists btw) and Hitomodoki means kinda like Pseudo-human which in of itself fits my boy here. As soon as I listened to this song I thought how much it fit Gowther and I could go on a super long rant, but instead I'm just gonna drop some lyrics on you cause you'll see what I mean. "Is this hole I had mistakenly opened within my heart" and "In this human form, without becoming a human" and "oh, my heart — I once wished that you would have stopped" like you get what I'm putting down??

Merlin: Rollin' Girl. I had so many songs for her, like bitter Choco decoration, bad apple, lost ones weeping etc. But I decided to go with the old classic depression song. Again from what I read and how I interpret it, it's about a girl who's very lonely and needs help but never accepts it from other people. Even though she's in pain she want to keep "rolling" each day at a time (continue to live) she always wants to be perfect/succeed. Lyrics: "it doesn't matter how It turns out, that's just a downward hill towards more mistakes" anyway I feel like this song really fits her. Also this song may or may not have been my most played song last year and Merlin may or may not be my favorite character hehe...

Escanor: The reason I wanted to die (Boku wa shinou to omottetanowa. So as you can see this is a depressing song once again (all these mfs be traumatized) and its a really beautiful song that really shows how Escanor feels in my opinion. It sings about reasons to want to die and it's about grief and despair but also hope. The lyrics "The reason I wanted to die is because I hadn't met you yet" and "I fell in love with this world a little more where people like you were born" feels a bit like his feelings toward Merlin which is cute.

This is honestly mostly for myself but if you enjoy reading all this thats great!!

[gaymakima]

I have a headcanon that 'Branwen' is not Raven and Qrow's surname from birth, nor was the name of their tribe at the time. When the tribe got their hands on the documents and decided to send the twins to Beacon, they needed to give themselves a surname. The one they were born with was long forgotten by that point (hell, they were too young to remember what their given names were before the tribe took them).

Qrow, who already rebelled against the tribe by idolising The Reaper, suggested to Raven they take a name from a story. Raven agreed, and the two began searching through what few books they owned for inspiration. Eventually they settled on 'Branwen', the name of a warrior with a close association to corvids.

Ozpin knew from the moment he saw them that their surname was made-up. It came from a story he wrote, after all (and he already figured out they were from a bandit tribe because, well, they weren't exactly discreet enough to fool him).

But the name 'Branwen' is still theirs now, regardless of its origin. Qrow was named so because of his misfortune. Raven's name was given after Qrow's, because she was an afterthought. Their abusers gave them those names. But 'Branwen'? That was all the twins. That was their first taste of freedom.

Giving themselves a name.

[kagoutiss]

din’s champion

[autisticandroids]

FAMINE: That's one deep, dark nothing you've got there, Dean.

[youtube with closed captions]

dean and his father. dean and his family. dean and how bad it is.

(via @closetoyou1970)